“My primary job in the comic book industry is that of an inker”

Jeremy Clark

Jeremy Clark is an artist who has been able to work on various comic projects for multiple publishers including cover work for Zenescope, having publication credits on the series:

“Grimm Fairy Tales: Apocalypse,” “GFT: Legacy,” “GFT Genesis: Heroes Reborn,” “Day of the Dead,” “Hellchild: The Unholy,” “Escape From Monster Island,” “Lady Death,” “Light-Earth,” “Notti & Nyce,” “Gin-Ryu,” “Zombie Tramp,” “Transgenesis,” “Franklin and Ghost: No Fox Given,” “Affinity: Arrival,” as well as collaborative ink work for the graphic novel “Gapo The Clown.” He also works regularly with other studio pencilers on conceptual art designs and exclusive print layouts for conventions. Over the span of his career he has penciled &/or inked cover work for Zenescope Entertainment, Coffin Comics, Counterpoint Comics, Caliber Comics, No Gravity Studios, RIA Comics and Gin-Ryu which is currently featured on Amazon books.

By  forming a vast social network between myself and some of the most prominent leading figures in both games and comics over the years, I have been able to collaborate on projects with numerous individuals from both Marvel and DC as well as Zenescope and other independent publishers.
By  forming a vast social network between myself and some of the most prominent leading figures in both games and comics over the years, I have been able to collaborate on projects with numerous individuals from both Marvel and DC as well as Zenescope and other independent publishers.

Jeremy Clark is an artist who has been able to work on various comic projects for multiple publishers including cover work for Zenescope, having publication credits on the series:

“Grimm Fairy Tales: Apocalypse,” “GFT: Legacy,” “GFT Genesis: Heroes Reborn,” “Day of the Dead,” “Hellchild: The Unholy,” “Escape From Monster Island,” “Lady Death,” “Light-Earth,” “Notti & Nyce,” “Gin-Ryu,” “Zombie Tramp,” “Transgenesis,” “Franklin and Ghost: No Fox Given,” “Affinity: Arrival,” as well as collaborative ink work for the graphic novel “Gapo The Clown.” He also works regularly with other studio pencilers on conceptual art designs and exclusive print layouts for conventions. Over the span of his career he has penciled &/or inked cover work for Zenescope Entertainment, Coffin Comics, Counterpoint Comics, Caliber Comics, No Gravity Studios, RIA Comics and Gin-Ryu which is currently featured on Amazon books.

The tracer mentality that fans seem to correlate with inking never resonated well with me and I always wanted to emphasis inkers are artists in their own right. This is the fuel that continues to drive me toward constantly improving my art today

The tracer mentality that fans seem to correlate with inking never resonated well with me and I always wanted to emphasis inkers are artists in their own right. This is the fuel that continues to drive me toward constantly improving my art today